Accordingly, Impressionist painters built upon the innovation of the Realists in turning away from traditional mythological and religious themes in favor of daily life, but they sought to convey the elusiveness and impermanence of the subjects they portrayed.
Impressionism was an art movement born in industrialized, urbanized Paris as a reaction to the sometimes brutal and chaotic transformation of late 19th century. Retrieved 9:20, October 1, 2013, from Įdward Hopper and his paintings. Hopper expressed his personal feelings of alienation due to his reclusive personality. Hopper’s sociopolitical context was a little more complex, but had to deal with the contemporary nature of American society that made some people feel isolated and alone. In-addition, he depicted the sociopolitical aspects of slavery, racism, and discrimination in America. Lawrence’s sociopolitical context was the history of African Americans and their struggles throughout the centuries. Hopper used buildings, streets, and landscapes in modern America to project the emotions of loneliness, a vision of emptiness and to depict images of isolation in a contemporary world. Lawrence used paintings of African Americans and White Americans occupying a single space, but separated literally and figuratively by racism, segregation, and discrimination. His paintings evoked a collective mind-set the existed during the Great Depression. Hopper responded to his period by depicting buildings, streets, and landscapes in contemporary American cities to include the country life that reflected loneliness and echoed isolation of modern life in the United States (Kleiner, 2014, p. Lawrence depicted African Americans who were fleeing discrimination in the South, but who not always found better conditions in the North. Lawrence responded to his period by depicting the migration of African Americans from the South to the North in search of “improved economic opportunities and a more hospitable political and social environment (Kleiner, 2014, p. 30 September 2013.įrench Post Impressionism. 30 September 2013.Ī World History of Art.
“Post-Impressionism – Art History 101 Basics”. Boston, MA: Wadsworth Cengage learning,īeth Gersh-Nesic. Post-Impressionism can be defined as “freedom of expression by liberating emotion, through unexpected use of gesture and color based on essences rather than appearances” (). Most of the Post-Impressionist artist were French except for Van Gogh and most of them started out as Impressionist artist, but each artist broke away to form their own personal art ( a world history of art). Instead it was “anarchist and degenerate, “typical charges hurled at any kind of art that challenged the status quo” (). None of the Post Impressionist were considered traditional artist, “For the mainstream audience who saw these artists, the art was anything but traditional. Post-Impressionist like Van Gogh and Seurat continued using the bright Impressionist palette, but did not place emphasis on recording spontaneous light and color (). Some artist like Cezanne and Seurat had similar styles, “Cezanne, like Seurat developed a more analytical style” (Kleiner 378). “Post-Impressionists … felt the need to construct private pictorial worlds upon the foundations of Impressionism” (). The principles of Post-Impressionist were born out of Impressionism and varied depending on the artist. Respond substantially to at least two of your fellow classmates’ posting by 11:59 p.m. All sources must be cited in APA 6th edition. You must use five (5) outside academic source(s), in addition to your textbook. Your initial post should be 100 words in length. How did each artist respond to his period? What artistic devices did each artist use to create the emotion of his work? What was the sociopolitical context each artist addressed in his work? Use examples to support your essay.
of Day 7, Sunday.ĭirections: Compare the work of Jacob Lawrence and Edward Hopper. Directions: Explain the principles of Post-Impressionist painting as seen in works by van Gogh, Gauguin, Seurat, and Cezanne.
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